陳餘生在一九二五年生於香港，一九七零年獲香港大學校外課程部藝術與設計文憑，一九七四年參與創立香港視覺藝術協會並任首屆會長四年，一九八九年與周淑芬創辦文苑畫院，致力繪畫培訓工作，一九九五年參與創立藝緣畫會並任首屆會長四年。他歷年來曾在香港及外地參與聯展逾百次，作品展出地包括倫敦、漢堡、馬尼拉、澳門、漢城、溫哥華，東京、卡加里、山打望尼加市、福岡、廣州、北京、福州、成都、高雄、台北等地。

Born in Hong Kong in 1925, Gaylord completed a certificate course in Art and Design at the Department of Extra-mural Studies of The University of Hong Kong in 1970. He later became the founding member of the Hong Kong Visual Arts Society in 1974 and chaired the society for the first four years. Chan cofounded the Culture Corner Art Academy with Josephine Chow in 1989. As a founding member of the Artmatch Group, he served as the chairman of the group for the first four years after its establishment in 1995. Chan’s works have been shown in more than 100 major exhibitions in Hong Kong and overseas cities including Beijing, Calgary, Chengdu, City of Santa Monica, Fukuoka, Guangzhou, Hamburg, London, Macau, Manila, Kaoshiung, Paris, Tokyo, Taipei, Seoul, Vancouver, etc.

陳麗喬是香港註冊建築師，一九八六年畢業於香港大學建築系，一九九八年完成博士課程，曾於巴馬丹拿建築設計事務所任職多年，現職希慎興業有限公司設計及項目主管。陳麗喬於建築界屢獲殊榮，主要建築作品包括：中環娛樂行（一九九三年香港建築師年獎）、蘇州喜來登酒店（二零零四年香港建築師學會境外作品獎），以及順德文化四館（二零零八年中華人民共和國建設部中國建築裝飾協會最高榮譽特別獎）。陳麗喬熱愛教學和寫作，工餘時主理亞喬創作室，從事藝術創作及義務建築設計工作。二零零一年，她在夏利豪基金會藝術比賽中獲獎。她的藝術作品曾於香港藝術中心、香港中央圖書館、藝穗會及深圳何香凝博物館展出。

A registered architect in Hong Kong, Chan Lai-kiu obtained her undergraduate and Ph.D. degrees from The University of Hong Kong in 1986 and 1998 respectively. She worked for P&T Architects and Engineers Ltd. for many years and is currently Head of Design and Project of Hysan Development Company Ltd. Chan is well recognised for her achievements in architecture. Her major architectural projects include the Entertainment Building in Central (Silver Medal of The Hong Kong Institute of Architects [HKIA] Annual Award 1993), Suzhou Sheraton Hotel (The HKIA Annual Award for Work Outside Hong Kong 2004) and Shunde Cultural Complex in China (Overall Champion of the Interior Design Award 2008 from China Building Decoration Association, Ministry of Construction). Also a part-time teacher, writer, designer and artist, Chan runs arQstudio Ltd., which deals with art projects and voluntary architectural services. She won the Outstanding Prize in the Philippe Charriol Foundation Art Competition in 2001, and her works have been exhibited at the Hong Kong Arts Centre, Hong Kong Central Library, Fringe Club and He Xiangning Art Museum in Shenzhen.

陳育強在一九五九年生於香港，一九八三年畢業於香港中文大學藝術系，其後於美國鶴溪藝術學院取得藝術碩士銜，一九八九起任教於香港中文大學藝術系，現為該系副教授，曾負責《香港藝術年鑑》編輯工作多年。自一九八三年起，陳育強曾在香港及海外參與逾七十個展覽，其中包括：一九九六年澳洲第二屆亞太當代藝術三年展、一九九七年東京和多利藝術館中國現代美術展及二零零五年意大利第五十一屆威尼斯雙年展，作品曾於美國、德國、澳洲、意大利、紐西蘭、日本、韓國、中國大陸和台灣等地展出。二零零三年，陳育強在香港藝術中心舉行了他第三次個人作品展，並在Para/Site藝術空間舉行了回顧展。近年，他的興趣更擴展到公共藝術領域。他的作品屢獲獎項，包括一九九九年香港公眾藝術計劃比賽首獎，以及同年德國漢諾威世界博覽會藝術比賽第二名。

Born in 1959, Chan graduated from the Department of Fine Arts, The Chinese University of Hong Kong (CUHK) in 1983. He returned to teach at CUHK after obtaining his M.F.A. from Cranbrook Academy of Art, Michigan, the U.S.A. Currently Associate Professor at CUHK, Chan has been the co-editor of Hong Kong Visual Arts Yearbook in 1999, 2000 and 2003. He has participated in more than 70 exhibitions at home and abroad including the Second Asia Pacific Triennial in Australia in 1996, “Chinese Contemporary Art” exhibition at the Watari-um in Tokyo in 1997 and the 51st Venice Biennale in Italy in 2005. In 2003, Chan was invited to hold his third solo exhibition at the Hong Kong Arts Centre and a retrospective exhibition in Para/Site Art Space. In recent years, his interest has extended to public art. Chan received the first prize in the Hong Kong Public Art Scheme and was the first runner-up in the World Expo Art Competition in Hanover in 1999.

何兆基在一九六四年生於香港，於香港中文大學先後取得文學士（主修藝術）學位及教育文憑，九十年代負笈美國鶴溪藝術學院修讀藝術碩士（主修雕塑）課程，二零零三年獲得澳洲皇家墨爾本理工大學藝術博士學位，現為香港藝術中心藝術學院首席講師。他的作品大多以自身的感官知覺開始，並透過不同的視覺媒介如攝影、錄像等以自造像的形式呈現，將個人內在的知覺經驗物質化並向外投射，使之成為可被感知的藝術表達方式。他認為自身與他者或能藉此得以溝通。
何兆基曾參與多個國際著名的展覽，包括一九九六年巴西第二十三屆聖保羅國際藝術雙年展及二零零一年意大利第四十九屆威尼斯雙年展。他亦曾獲頒意大利Civitella Ranieri獎助金、美國紐約斯泰爾基金會獎助金、香港藝術發展局第一屆「視藝獎助計劃」視藝發展獎助，以及香港藝術館市政局藝術獎等獎項。

Born in 1964, Ho Siu-kee obtained both his B.A. in Fine Arts degree and Diploma in Education at The Chinese University of Hong Kong. He graduated from Cranbrook Academy of Art, Michigan, U.S.A. with an M.F.A. degree in 1995 and earned his D.F.A. degree from RMIT University, Australia in 2003. Ho has participated in various exhibitions worldwide including the 23rd International Biennial of Sao Paulo in Brazil in 1996 and the 49th Venice Biennale in Italy in 2001. He has received several awards including the Civitella Ranieri Fellowship (Civitella Ranieri Centre, Italy), the Starr Foundation Fellowship (Asian Cultural Council, New York), the Fellowship for Artistic Development (Hong Kong Arts Development Council) and the Urban Council Arts Awards (Hong Kong Museum of Art). Ho is currently Principal Lecturer and Programme Coordinator (M.F.A.) at the Hong Kong Art School.
Most of Ho’s artworks begin with the exploration of his own senses and bodily perception. They appear as self-portraitures through the visual presentation of his own body imagery employing different media, such as object making, installation, photography and video. The visual presentation materialises and projects the innate personal experience as means of artistic expression which is expected to make up the communication between the “Self” and the “Other”.

羅拔•艾奧里尼於一九六零年在澳洲悉尼出生，是位媒體藝術家及作曲家，其作品訴諸不同風格，是精細的詩體文章，統合成一種哲學觀。他擅長將不同元素共冶一爐，創作意義深遠的藝術作品。他以獨特手法運用音樂製作、新聞寫作及蒙太奇，令作品超越藝術媒體的固有分類。澳洲廣播公司、巴塞隆納當代藝術中心、丹麥國家電台、荷蘭節目服務部及Big hArt Inc.均委約他創作跨媒體作品。他的作品《香港：城市越界》曾贏得阿姆斯特丹Soundscapes (be)for(e) 2000藝術節的獎項。

Born in 1960 in Sydney, Australia, Robert Iolini is a media artist and composer. His works are detailed poetic essays/narratives, stylistically diverse and united by a philosophical approach. Iolini’s talent lies in his ability to shape apparently disparate elements into meaningful works of art. His unique application of musical processes, journalism and montage allows his works to transcend categorisation. His multidisciplinary approach makes his works ideal for cross-media commissioning projects, including major works for the Australian Broadcasting Corporation, Centre for Contemporary Culture of Barcelona, Danish National Radio, Netherlands Program Service and Big hArt Inc. His piece Hong Kong: City in Between was a prize winner in the Soundscapes (be)for(e) 2000 festival in Amsterdam.

林嵐生於中國福建省，一九八五年移居香港，一九九七至二零零零年間在香港中文大學先後取得藝術學士及碩士學位，以及藝術教育文憑。她的作品多為雕塑裝置，主要以木料製作，並多以文化歷史為背景。林嵐曾參與多個國際藝術家交流或駐場計劃，近年活躍於策劃和參與各項藝術計劃，致力將藝術帶進公共場域及社區。林嵐的作品曾四度入選香港藝術雙年展，也曾應邀到台灣及肯亞等地參與國際藝術家交流營，以及到其他海外城市參與駐場藝術展覽。二零零六年，她獲頒「亞洲文化協會獎助金」，並於翌年赴美研究藝術如何在公共場域中實踐。二零零七年，她應加拿大樹木博物館邀請，為該館十周年慶典創作藝術作品。多年來，林嵐不斷獲邀到世界各地參展，作品曾於紐約、巴黎、多倫多、奧克蘭、新加坡、澳門及台灣等地展示。

Born in Fujian Province, China, Lam moved to Hong Kong in 1985. She received her B.A. and M.F.A. degrees, and her Diploma in Education from The Chinese University of Hong Kong in 1997, 1999 and 2000 respectively. Lam specialises in site-specific works with sculpture installations and woodcarving mixed with alternative material, water, light, plastic and metal. Her works were selected and shown in the Hong Kong Art Biennial Exhibition in 1996, 2001, 2003 and 2005 respectively. Over the years, her works have been exhibited in various countries and cities such as New York, Paris, Toronto, Auckland, Singapore and Macau. She has also been invited to participate in artist residency programmes in Taiwan, Kenya, Shanghai, Bangladesh and Chicago. Lam received the Asian Cultural Council Fellowship in 2006. In 2007, she was granted the Urban Glass Visiting Artist Fellowship in New York and was invited to create a site-specific work at The Tree Museum in Ontario, Canada in commemoration of the museum’s tenth anniversary.

林東鵬在一九七八年生於香港，畢業於香港中文大學藝術系，現於香港及北京生活，並設立工作室進行創作計劃。他的早期作品以沙混合顏料塑造簡約空靈的景物。林東鵬在二零零零年代表香港參加諾基亞亞太區藝術獎；二零零三年以作品《火•炭》入選香港藝術雙年展，該作現收藏於香港藝術館；同年獲香港藝術發展局獎學金，前往英國聖馬丁藝術及設計學院修讀藝術碩士課程。他畢業後旅居倫敦創作，二零零五年獲亨町藝術家獎比賽全年最佳年青藝術家獎，為該獎項設立二十五年來首位華人獲獎。他的作品從思考個人到人文及文化之間的問題，風格不一，主要以混合媒介（木、沙、釘、水墨、炭筆、塑膠彩及油彩等）作平面處理。作品為英美及香港多間機構及私人收藏。

Lam Tung-pang was born in 1978. A Fine Arts graduate of The Chinese University of Hong Kong, he obtained his M.A. degree from Central Saint Martins College of Art and Design, London in 2004. Lam has been awarded numerous scholarships and awards including the Arts Scholarship from the Hong Kong Arts Development Council in 2003. In 2005, he won the “Hunting Art Prizes, Young Artist of the Year” award in the U.K. Exhibited extensively worldwide, his works can be found in many private and public collections in the U.K., U.S.A. and Hong Kong. Lam currently lives and works in Hong Kong and Beijing.
Lam often makes use of both traditional (oil, acrylic, charcoal, pencil, etc.) and non-traditional (nails, sand, plywood, etc.) materials to produce tranquil and thought-provoking pieces, which resonate with the viewer long after their first encounter. While exploring the intricate relationship between objects and materials, his works are always given a touch of humanity that makes them more approachable.

劉掬色在一九七六年畢業於加拿大多倫多安大略美術學院，一九八八年獲英國文化協會獎助金到皇家藝術學院進修，一九九零年於該校取得碩士銜。劉掬色早年多以傳統的版畫形式創作，後來開始運用現代科技產品如柯式商業印刷機、傳真機、黑白及彩色影印機，以及數碼打印機，配合她的手繪圖像，實現她的藝術耕作，在雜誌的書頁上進行版畫的試驗和創作。她近年熱愛「寫字」，既寫文章，也寫書法，並嘗試將圖像與文字並置。她雖常以版畫作媒介，卻不認為自己是「版畫家」，因為版畫只是她所用的一種工具，而她是在作圖，有時還加入文字，所以她自稱「圖人」。劉掬色的作品獲不少私人及公共機構收藏，如英國皇家藝術學院、加拿大安大略美術學院、香港藝穗會、香港美術博物館、香港文化博物館，以及香港貿易發展局在美國華盛頓及三藩市的辦公室等。

Gukzik Lau graduated from the Ontario College of Art in Toronto in 1976. In 1988, she received a bursary from the British Council to pursue further studies at the Royal College of Art in London where she obtained a Master’s degree with distinction in 1990.
Lau’s early artistic interest was in traditional printmaking. She later employed modern printing machines and materials such as offset machine, photocopier, fax machine and digital output to create her works. Her recent interest is in writing, which connotes both literary writings and calligraphy, so the juxtaposition of words and images is her new attempt in art. Lau describes herself as a “painting writer” rather than a printmaking artist. Her works can be found in numerous private and public collections, including Hong Kong Fringe Club, Hong Kong Museum of Art, Hong Kong Heritage Museum, and the Hong Kong Economic and Trade Offices in Washington and San Francisco.

伍韶勁在香港出生，於一九九四年移居加拿大，先後在多倫多懷雅遜大學取得新媒體藝術學士（榮譽）學位及在法國勒弗諾瓦國立當代藝術工作室取得當代藝術深造文憑。他通常是由特定場域啟發初步構想，再通過不同群體對藝術的過程和成果作出的回應，從而將作品內容擴展至普及層面。他的作品曾於世界各地展出，包括香港藝術館、法國龐比度中心的IRCAM音樂研究所、法國圖爾昆美術館、法國史特拉斯堡La Laiterie（一所流行音樂工作室）、比利時城市音樂節、意大利Fabrica研究中心和加拿大多倫多Interaccess 電子媒體藝術中心等。他的作品屢獲殊榮，包括：二零零七年香港獨立短片及錄像比賽互動媒體組金獎、二零零六年加拿大文藝理事會獎助金及二零零三年多倫多Interaccess視覺藝術獎。他在二零零八年春季擔任香港浸會大學傳播系兼職講師，現居於香港。

Born and bred in Hong Kong before moving to Canada in 1994, Kingsley Ng received his B.F.A. (Hon) in New Media Art from the Ryerson University in Toronto and his Post-graduate Diploma in Contemporary Art from Le Fresnoy - National Studio of Contemporary Arts in France. Ng’s work is usually site-specific and inspired upon initial conception–then through the response of different demographic groups to the work’s process and outcome, the context of the art would expand to universal dimensions. His installations have been featured internationally, such as the Hong Kong Museum of Art, Ircam - Centre Pompidou in Paris, Musee des Beaux-Arts in Tourcoing, La Laiterie in Strasbourg, France, City Sonics Festival in Mons, Belgium, Fabrica Research Centre in Treviso, Italy and Interaccess Electronic Media Arts Centre in Toronto, Canada. Ng received the Gold Medal for the Interactive Media category of The 12th Hong Kong Independent Short Film & Video Awards (ifva) in 2007, the Travel Grant from the Canada Council for the Arts in 2006 and the Interaccess Visual Arts Award in 2003. Ng was a part-time lecturer in the Department of Communication Studies at the Hong Kong Baptist University in spring 2008. He currently lives in Hong Kong.

貓室為多媒體及動畫創作團隊，曾為可口可樂、Nike、諾基亞、DHL、Levi's、香港亞洲電影節、東亞運動會等構思設計意念和創作吉祥物、動畫及多媒體作品。
貓室曾獲邀到法國康城Milia數碼互動媒體論壇、波蘭KinoLab、香港電視廣播有限公司、商業電台叱咤903及浸會大學等構機講解互動媒體創作，並為「可口可樂x奧運」藝術瓶設計比賽擔任評判。貓室的作品曾在三藩市Flashforward電影節、韓國SeNef電影節、瑞士Fantoche國際動畫電影節、香港獨立短片及錄像比賽等活動中獲獎。

Postgal Workshop is a multimedia and animation creation team specialising in designing mascots, key art, animation and multimedia works. Their clients include, among others, Coca Cola, Nike, Nokia, DHL, Levi’s, Hong Kong Asian Film Festival and East Asian Games. Postgal has been invited to share their views in design and animation as guest speakers at the Milia Digital Conference in Cannes, France, KinoLab in Poland, Television Broadcasts Limited, Commercial Radio Hong Kong FM 903 and Hong Kong Baptist University. One of the judges for the Coca Cola Art Bottle Design Competition, Postgal has won prizes in the Hong Kong Independent Short Film & Video Awards (ifva), the Flashforward Film Festival in San Francisco, the SeNef Film Festival in Korea and Fantoche: International Festival for Animated Film in Switzerland.

蘇敏怡小學六年級時遇上八九民運，埋首畫了一系列令人不安的角色人物：筆下亂馬抵擋坦克車前行，以梳理許多不明白的思緒。孤獨畫畫的日子漫長，直至九七回歸時參加了同人誌組織，蘇敏怡在五年間合資出版了數本同人誌，作品不堪回首，卻認識了一群怪異的好朋友。
蘇敏怡修讀設計期間，一躍跨越漫畫進入動畫世界，憑片長七分鐘的《好鬼棧》獲第八屆香港獨立短片及錄像比賽動畫組金獎，透過作品抒發對香港空間的情懷，從此悟出自己的路向。她後來在潮流雜誌社工作兩年，負責插畫工作，為單調文章重新演繹，離職後，機緣之下把心中的香港情懷繪成「HK Powder」系列，每周發表於《Milk》雜誌專欄。蘇敏怡在二零零五年創作動畫《龍門大電車》，並於香港藝術中心i-city Festival公映，作品進一步把香港正在消失的文化、精神和回憶放 進神秘電車裡，以抒解作者對香港的不甘心。

Stella So came to the knowledge of the Tiananmen Student Movement at Primary 6. In order to find answers to so many why’s, she drew a series of weird and disquieting characters such as wild horses running wild to block the passage of tanks. Drawing was an act in solitude, and those days were long until she stepped into the fanzine circle around the handover time in 1997. In five years’ time, she and her fanzine friends published several collected works. She is not particularly proud of these works but of the strange and true friends she has made. Later, So started making animations when she studied graphic design. She won the First Prize of The 8th Hong Kong Independent Short Film & Video Awards (ifva) with her seven-minute Very Fantastic, which expressed her thoughtful feelings to the living space in Hong Kong. After graduation, she worked for a lifestyle magazine for two years, drawing illustrations for articles. By chance, she started to work on the new comic series, “HK Powder” published in her weekly column in Milk. In 2005, at the i-city Festival of the HKAC, she released the animation Lonely Moon Tram, in which she captured the disappearing Hong Kong culture and collective memory of our times. She sees the work as solace for her disappointment with the epoch.

鄧凝姿在一九五六年生於香港，分別於英國倫敦大學金匠學院及澳洲皇家墨爾本理工大學取得純藝術學士及碩士學位，現為香港藝術學院講師。從英國回港後，鄧凝姿一直從事藝術創作及展覽策劃工作，力求將藝術融入社會。她的近作多以布料縫製，旨在不斷探討有關文化身份的問題。鄧凝姿於一九九六年在藝穗會畫廊舉辦的個人展覽「美麗、快樂、智慧」是當年香港藝穗節節目之一。她也曾參與不少聯展，包括二零零八年於安亭畫廊展出的「再發現─香港當代藝術」，最近又策劃了「藝術貨櫃計劃─美麗旅程•美麗世界」大型戶外藝術展覽。

Born in Hong Kong in 1956, Tang received her B.A. in Fine Art degree from Goldsmith’s College, University of London in 1989 and her M.F.A. degree from RMIT University in 2003. She is now a fulltime lecturer at the Hong Kong Art School. Tang has been concentrating on art creation and exhibition projects while striving hard to encourage community participation in art projects. Machine-sewn with fabric, her recent works are conceived to be a continuing exploration on the issue of cultural identity. Tang has presented a number of solo exhibitions including “Beauty, Happiness and Intelligence” at Fringe Club in 1996. She has participated in “Hong Kong Unveiled - Contemporary Art in the SAR” at Atting House and organised the “Art Container Project: Beautiful Journey . Beautiful World” in the first half of 2008.

黃麗貞於一九九一年在英國東安基亞大學獲教育學士學位，一九九七年在香港中文大學取得藝術碩士學位，其後一直從事藝術創作，亦曾於香港理工大學、香港大學及美國比弗學院任客席講師，現為香港藝術學院課程講師。她曾多次接受不同機構邀請參與藝術家留駐計劃，包括加拿大艾伯特省班芙藝術中心（一九九四年）及香港市政局（一九九六年），又於二零零二年獲邀參加夏威夷大學東西陶瓷留駐計劃、二零零三年到德國哈拉藝術公社作雙年展駐留藝術家及二零零六年獲邀至澳洲皇家墨爾本理工大學作國際駐留藝術家。黃麗貞的作品以陶瓷、雕塑及混合媒介為主，近年作品多探討陶瓷器物、器物造者及用者之間的關係，把藝術與工藝分裂了的空間重新聯繫起來。

Fiona Wong received her M.F.A. from The Chinese University of Hong Kong in 1997. She was awarded a grant by the Asian Cultural Council to observe art activities and set up her studio in New York in 2000. Having been Visiting Lecturer of The Hong Kong Polytechnic University, The University of Hong Kong and Beaver College in Philadelphia, Wong was invited to participate in artist-in-residence programmes by numerous organisations such as The Banff Centre for the Arts in Alberta, Canada (1994), The East- West Centre of the University of Hawaii at Manoa, Honolulu (2002) and Artist House in Halle, Germany (2003). Using clay as her major medium for art making, Wong is recently interested in studying the nature of ceramics as functional objects with respect to their historical and cultural aspects.

黃詠楓在一九八二年生於香港，獲香港演藝學院藝術學士（榮譽）學位，主修應用美術（繪景系），二零零四年獲獎學金往英國倫敦國立皇家劇院實習。黃詠楓是跨媒體藝術工作者，活躍於舞台、電影、多媒體及商業範疇的藝術創作，並曾擔任美術指導、壁畫及佈景製作等崗位。她喜愛以繪景的油畫技巧及舞台設計的元素，透過藝術作品隱約提出一些問題，啟發觀眾思考，從而與大眾探討宗教、美感、人與自然等概念。她近來努力思考藝術與社區的關係。黃詠楓曾參加之展覽包括：香港藝術中心「今日九八」（一九九八年）、Chemical Suzy「TUG030」（二零零一年）及旺角大興餐廳「第尾牛扒臨時展覽」（二零零三年）等。

Wong Wing-fung, a local young mixed media artist, was born in 1982. She received her B.A. degree in Fine Arts with major in Applied Art (Scenic Art) from The Hong Kong Academy for Performing Arts in 2000. In 2004, she was awarded a scholarship by The Society of the Academy for Performing Arts to undertake internship training in the Royal National Theatre, London, the U.K. Her works often feature her scenic art painting techniques and reflect her knowledge in materials. Topics addressed by her works include religion, the concept of beauty and the relationship between human and nature, which all tend to raise questions for one to ponder. Recently, she has been engaging herself in the exploration of the relationship between arts and the community, believing that everyone could enjoy and appreciate art in life as a gift from our Creator. She has participated in a number of exhibitions including “Invisible Cities: Monument for the Unknown” (Hong Kong Arts Centre, Hong Kong, 1998), “TUG030” (Chemical Suzy, Hong Kong, 2001), “Temporary” (Tai Hing Restaurant, Hong Kong, 2003), etc.

王無邪在一九三六年生於廣東省，一九六一至六五年留學美國，多年來屢獲殊榮：一九七一年獲美國紐約洛克菲勒基金會藝術獎助、一九九八年獲香港藝術發展局頒授藝術成就獎，以及二零零七年獲香港特區政府銅紫荊星章。他的作品曾參與無數展覽，其中包括：一九六一年巴西聖保羅國際藝術雙年展、一九八二年中東巴林首屆亞洲藝術大展、一九九八年上海雙年展、一九九八及九九年紐約及畢爾包古根海姆藝術館「中華五千年文明」藝術展等。香港藝術館在二零零六年更為他舉辦「東西問道─王無邪的藝術」回顧展。他的作品為香港藝術館、香港文化博物館、上海美術館、大英博物館、牛津亞殊慕連美術館、波士頓美術館、芝加哥美術館、克利夫蘭美術館、金山亞洲藝術博物館、哈佛大學薩克勒美術館、德國柏林東方美術館、澳洲墨爾本維多利亞美術館等收藏。王無邪現為香港中文大學藝術系兼任教授、香港政府康樂及文化事務署專家顧問，以及香港藝術學院督導委員會成員。

Born in Guangdong Province, China in 1936, Wucius Wong studied art and design in the U.S.A. from 1961 to 1965. Wong has participated in numerous exhibitions including the Sao Paulo Biennial in 1961, the First Exhibition of Asian Art in Bahrain in 1982, the Shanghai Biennial in 1998, and “China 5000 Years” at the Guggenheim Museum in New York and Bilbao in 1998 and 1999 respectively. His works can be found in the collections of Hong Kong Museum of Art, Hong Kong Heritage Museum, Shanghai Art Museum, British Museum, Ashmolean Museum in Oxford, Boston Museum of Fine Arts, Art Institute of Chicago, Cleveland Museum of Art in Ohio, Asian Art Museum in San Francisco, Arthur M. Sackler Museum of Harvard University in Massachusetts, Museum fur Ostasiatische Kunst (Museum of East Asian Art) in Berlin, National Gallery of Victoria in Melbourne, etc. Wong is currently Adjunct Professor at the Fine Arts Department of The Chinese University of Hong Kong, expert adviser to the Leisure and Cultural Services Department of the Hong Kong Government and member of the Hong Kong Art School council.

余偉聯在一九九三年畢業於多倫多約克大學藝術系，其後獲取獎學金到英國皇家藝術學院研習繪畫。他從事教學多年，現於香港藝術學院擔任署理學術總監一職。余偉聯的創作一直以油畫為主，作品糅合文字與圖像，並配合實物和環境狀況，探索精神世界與物質文化的關係。他曾在加拿大、英國、澳洲及香港等地舉辦個人畫展，多年來亦不斷參與本地及海外聯展，包括二零零零年「蘇富比年青藝術家」歐美巡迴展、二零零三年香港文化博物館「亞洲拼圖」及北京中國美術館「中國油畫大展」。他的作品亦曾見於日本福岡亞洲藝術館、韓國大田美術館、菲律賓阿雅拉美術館、中國廣東美術館、香港藝術館及香港藝術中心等。

Francis Yu had his undergraduate studies in Fine Art at York University in Toronto. He was later awarded a scholarship to study painting at the Royal College of Art in London where he graduated with an M.A. degree. Yu has been an art teacher for many years and is currently Acting Academic Head of the Hong Kong Art School. Blending texts with images while incorporating found objects and environmental contexts, his oil paintings are multi-dimensional imageries intended to explore the relationship between material culture and the spiritual world. He has presented solo exhibitions in Hong Kong, Canada, the U.K. and Australia, and has participated in many group exhibitions worldwide including “Artlink@Sotheby’s International Young Art”, which toured to Chicago, Tel Aviv and Vienna in 2000, “Mapping Asia” at the Hong Kong Heritage Museum and “Embracing the New Century” at the China National Museum of Fine
Art in Beijing in 2003. His works have also been shown at the Fukuoka Asian Art Museum in Japan, Daejeon Municipal Museum of Art in Korea, Ayala Museum in the Phillippines, Guangdong Museum of Art, Hong Kong Museum of Art and Hong Kong Arts Centre in China.